Leonard Cohen- Illuminati Jewish Secret Agent?

Leonard Cohen- Illuminati Jewish Secret Agent?

January 2, 2015
lclogoallseeingeye.jpgCohen has always maintained a highly controlled public persona. So why does he make Masonic hand signs and use Illuminati symbols? The fingers parted is an occult Jewish sign.

Babyboomers looked to artists like Leonard Cohen
for inspiration and guidance. Turns out
he was another Illuminati shill, like many artists today.
Ann Diamond, who knew him personally, suggests
that Cohen’s role was more than just satanic
cultural subversion.

by Ann Diamond

Music is programming – this we know.The Baby Boomers were programmed by Rock to ‘accept the unacceptable’ – first sex, drugs, rock and roll, then murder. British intelligence set up the EMI recording label in the 1950s with help and approval from Lord Rothschild and his Tavistock Institute whose aim was to remould the thinking of the post-war generation.

The programming got heavier in 1966 when Paul McCartney allegedly died in a car crash and was replaced by a double, Phil Akrill.

With Leonard Cohen, a sixties’ dark horse who ‘always hated the sixties’, it  went deeper. Not just another pretty face, Cohen was an elite product of McGill and Columbia University’s ultra-classified MKULTRA mind control projects. Adept at hypnosis and trained as a Manchurian Candidate, Cohen met Jacob Rothschild in London in 1959.

Jacob was the son of Lord Victor Rothschild, (1910-1990) who allegedly controlled MI5 and MI6 and also had founded the Tavistock Institute, birthplace of MKULTRA mind control. At the same time, Cohen cultivated friendships in the London underground scene, including Black Power activist Michael X, who worked as an enforcer for slum landlord and alleged Israeli spy, Peter Rachman.

cohen1960.jpg(left, Cohen and “So Long Marianne” & her child on Hydra)

From London he headed for Hydra, – an island with deep cult connections, and a haven for operatives. On arriving, he looked up Barbara Huchinson, ex-wife of Victor Rothschild who was living with a Greek painter, Nikos Ghikas. Soon afterwards, the Ghikas mansion was totally gutted in a fire. An auspicious beginning to a year in which the still-unpublished novelist was photographed with other Hydra Bohemians for LIFE magazine: a major coup for an unpublished novelist and folksinger who had not yet written any songs.

In the spring of 1961, he just happened to arrive in Havana a few days ahead of the Bay of Pigs invasion nearly causing an international incident when Castro ‘s troops arrested him as a suspected CIA agent.

He has an impressive record of appearing in distant locations just ahead of historic coups: Greece before the Colonels. London for Jimi Hendrix’s death. Montreal on the eve of the War Measures Act. Israel just days before the Yom Kippur War broke out in a “surprise attack” by Egypt (September 1973). Asmara, Ethiopia for the CIA and Mossad-backed overthrow of Haile Selassie. Manhattan, when John Lennon died (December 1980).


Rothschild’s Tavistock Institute was about programming the post-war generation through psychiatry.

beatles saville.jpg(Beatles and Jimmy Savile)

Out of this huge classified program of British domestic warfare came the Beatles and the whole ‘British invasion’ that was sold to impressionable teens around the world.

By the late sixties, music was boldly pushing sex, drugs and rock and roll and fomenting aimless rebellion. By the late seventies, most of the really talented figures in rock were dead. Songs played backwards revealed ‘Satanic’ messages, not surprising since the intelligence agencies had a long history of Satanism going back to John Dee and Elizabethan times. Dionysian decadence overcame ‘Peace and Love”

sharon1.jpg(Cohen serenading Ariel Sharon during 1973 war)

By 1980, John Lennon was Out. Ronald Reagan and War were In. It was time to introduce Deeper Programming. Apart from his skills as a hypnotist, he had acquired weapons training over a decade after leaving Montreal for London and Hydra.  He even described his MK-ULTRA background in a song:

Field Commander Cohen was our most important spy
Wounded in the line of duty
Parachuting acid into diplomatic cocktail parties.

By the eighties Cohen was penning songs filled End Times programming scripts and triggers. His small cult audience had privileged access to the ‘secret text’ that now entailed divine punishment for the generation that had embraced sex, drugs and rock and roll.

Increasingly his songs resembled predictive programming for mass destruction, darkness and the Flood. Introducing the NWO religion to western audiences, Cohen’s music draws on Freemasonry, Kabbalah, and Babylonian mystery cults which he tastefully markets to his sophisticated fan base of baby boomers and their kids.

newskin.jpgHe favours alchemical images, symbols and logos. His album New Skin for the Old Ceremony made use of a drawing of the hieros gamos, depicting the union of male and female from a 16th century woodcutting. The hieros gamos may not be as innocent as it sounds: depicted in the climactic scene of Eyes Wide Shut, it involves a deadly ritual in which a woman is murdered at an Illuminati party.

For a while Cohen toyed with swastika inside a Star of David, but it was already taken by the Raelian UFO cult. Another of his logos is the hummingbird, representing subliminal programming as songs enter the listener’s ear the way these birds dart from flower to flower.


LeonardCohenTheFuture.gif(left, see Dan’s comment below. Handcuffs=enslavement) 

His 1992 album The Future features a hummingbird rising up from a black and blue heart (reptilian blue bloodlines?) which seems to hover above a pair of (open) handcuffs symbolic of “freedom” in the New World Order. The title song introduced another apocalyptic slogan: “I’ve seen the future, baby, it is murder.”

The logo (above): two hearts intertwined like the triangles of the Star of David appeared on his final (“Old Ideas”) tour launched in Ghent, Belgium on 8/12/2012 to coincide with the closing ceremony of the London Olympics. Strangely, the date mirrors John Lennon’s assassination. For the occasion Cohen even added an all-seeing eye.

On stage in Ghent with his musicians dressed like Lubavitchers at a funeral, the spry 77-year-old delivered exactly 33 songs – a nice, round, Masonic number — including “Save the Last Dance for Me.”

In an astrological display of fireworks , the Star of David constellation   that began on July 29 2013, climaxed on September 21– Leonard Cohen’s 79th birthday.

Was this his date with destiny, a heavenly sign that he was the longed-for Jewish Messiah – or was he the flip side, back-masked version, aka anti-Christ?

The fateful day went by and nothing happened.

Maybe once again he fooled us all.


Ann Diamond – MK Ultra Writer Hits Invisible Wall

—————--Cohen-Product of Illuminati Mind Control

First Comment from Dan:
The hummingbird and handcuffs on  the album jacket of ‘The Future’ always made me think of this passage from the novel ‘Cockpit’  by another mysterious fellow, Jerzy Kosinski.”I was one of the specially trained groups of agents called “the hummingbirds”. The men and women of this group are so valuable that to protect their covers no central file is kept on them and their identities are seldom divulged to other agents. Most hummingbirds remain on assignment as long as they lead active cover lives, usually as high-ranking government officials, military or cultural officials based in foreign countries. Others serve as businessmen, scientists, editors, writers and artists. But I always used to wonder what would happen if a hummingbird vanished, leaving no proof…”[Quote from ‘Cockpit’ by Jerzy Kosinski, 1975]

bob-dylan-eye-logo.jpgalso can’t help but notice parallels with the mysterious Bob Dylan’s visual cues over the years…

Ann replies: Dan’s comment on Kozinski is amazing. I was told he was an agent and the stories in The Painted Bird are inventions. Someone I used to know met him in a black transvestite bar in NY — that’s where he hung out.

The “hummingbird” profile certainly describes Cohen to a T.  I know I will get flack for this (and so much else) but the point I should be hammering home is: Why do his supposedly sophisticated fans accept these obvious fact about him, that expose him as a liar and conman — loveable and charming though his public persona may be? Why don’t they ask him to account for these obvious slips and semi-confessions which have leaked out over the years?

Bob Dylan: Change Agent

April 1, 2015

When Bob Dylan said he “sold his soul to the devil”
what did he mean? Miles Mathis suggests Dylan
betrayed his artistic integrity & audience
in return for fame and fortune.
The Illuminati can make anyone famous. It’s called hype.
They choose people who will advance
their satanic agenda, i.e. “social change.”

By John Hamer

In a recent article, Miles Mathis presents a compelling argument that Bob Dylan is a phoney.

He believes Dylan did not write his own songs and while Dylan’s stage performances were not devoid of talent, he is not whom we believe him to be.

Dylan, whose real name is Robert Zimmermann, was born into a wealthy Jewish family in Duluth, Minnesota who owned a chain of movie theatres in the small town of Hibbing, MN. They were already in the ‘deception’ business.

According to Mathis, Hibbing has produced a number of dubious characters that include Vincent Bugliosi, Bruce Carlson and Gus Hall to name three.  Gus Hall is the former leader of the US Communist Party and probably an Intelligence Services asset. Bruce Carlson is Director of the National Reconnaissance Office (an intelligence agency) and a leader of the Mormon Church, believed part of the Elite.  Vincent Bugliosi was the attorney who ‘prosecuted’ Charles Manson, allegedly another one of the long list of ‘Laurel Canyon’ assets.

In 1961, Dylan, 20, was “made” by a favorable New York Times review of his short set before 10 people at ‘Gerde’s Folk City.’ He had been performing for only six months, and had no original material.

The review was written by another Jew, Robert Shelton, (Robert Shapiro.)  Charlie Rothschild was the booking agent for ‘Gerde’s’ at the time.

MK-ULTRA: “The Times they are a Changin'”

Intelligence was running many black ops and using the music industry as cover in the 1960s. Some of them have since been partially declassified, such as Operation Mockingbird, MK-ULTRA and others.

album.jpgMathis believes that there was an even larger operation called, ‘Operation Rolling Stone’ designed to promote extreme change in all forms.

Because humans are naturally resistant to change, Mathis contends, change had to be manufactured and constantly sold. Mathis points to the constant use of the ‘Rolling Stone’ title such as Dylan’s famous song, the band ‘The Rolling Stones,’ and also the magazine ‘Rolling Stone.’

Mathis believes that the ‘Rolling Stone’ meme was a creation of Intelligence agencies as part of their social engineering.  In the “ Protocols of the Elders of Zion,” the author says three times, Our Countersign is “Force and Make-believe.”(Protocol 1)

“Make-believe” is the Illuminati’s “Magick.” Magick is simply deceit or lying which is easy when you own the mass media and educators. The evil magician Aleister Crowley defined Magick as “the science and act of causing change to occur in conformity with will… any willed change in ourselves or in our environment is Magick.”

The CIA had taken over all media by 1961.  This may explain why Columbia was so keen to sign the 20-year-old Dylan based on virtually nothing.  So arguably, Dylan’s entire career was pre-planned.

Columbia had not heard him playing any of his original songs, because he had none at this time.  He had only two original compositions on his first album, and that was not released until 1962.


In 1963, Newsweek accused Dylan of plagiarism, suggesting that ‘Blowin’ in the Wind’ had been ‘acquired’ from a high school student.  As Mathis points out, if Dylan had written the song, Columbia would have sued Newsweek as soon as the story appeared.  If Dylan had not written what is his most famous song, what does this say about him as a songwriter?

In 1965 Dylan was booed off the stage at the Newport Folk Festival allegedly for going ‘electric guitar.’  Mathis believes that ‘real’ folk fans knew that he was a fake, but by 1969, the infiltration and co-option of anti-war movement was complete so Dylan was no longer needed.  He was therefore abandoned.

Mathis also posits that after Watergate, Dylan was brought back to Columbia in 1974 as part of the grand misdirection so that the American public would not notice that the CIA had just finalized a takeover of the government.

Mathis thinks fellow Jewish agent  Leonard Cohen was Dylan’s ghost writer.  Cohen’s record label was also Columbia.   Furthermore it would also explain what Joni Mitchell said in 2010, referring to Dylan: “He’s a plagiarist, and his name and voice are fake. Everything about Bob is a deception. We are like night and day, he and I.”

joni.jpgJoni Mitchell dated Cohen for a while, so she should know.  She even had an opportunity to change her view, but refused.

And as Mathis points out, why did Dylan or his record label not sue Mitchell for defamation?  A claim of plagiarism is the most serious accusation that could be directed at a performer.

As a ‘former’ fan of Dylan, Mathis concludes, “…this is no easier for me than for you…  It hurts.  Talent and real art have been rare enough without losing what little we had to these government disinfo programs… Even more recently, Dylan has been doing Chrysler commercials…  It is like watching Gandhi as the spokesman for Monsanto, or Martin Luther King schlepping pharmaceuticals for Pfizer.”

UK-based author John Hamer has written numerous short articles and several books including the best-seller, ‘The Falsification of History’ and ‘RMS Olympic’ and ‘Titanic’s Last Secret’.
Jesse.jpgNote: Bob Dylan’s eldest son, Jesse (left) is a member of the Council on Foreign Relations. (Thanks Deanna)


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